Prokeitai gia to gnwsto bibliaraki ths eforias, sto opoio parexontai analytikes odhgies, gia to poioi forologoymenoi exoyn ypoxrewsh na ypoballoyn forologikh dhlwsh, poy kai pws symplhrwnetai o pinakas me ta eisodhmata kai tis dapanes poy meiwnoyn ton foro, pws symplhrwnontai ta stoixeia twn perioysiakwn stoixeiwn kai allwn dapanwn poy lambanontai ypoch gia ton ypologismo twn tekmhriwn.

Epishs, perilambanontai pinakes poy aforoyn thn klimakwsh twn tekmhriwn diabiwshs kaqe kathgorias, toys opoioys mporoyn na symboyleytoyn oi forologoymenoi gia th symplhrwsh twn kwdikwn ston pinaka ths forologikhs toys dhlwshs.

Parallhla, sto bibliaraki perilambanontai kai leptomereis odhgies gia th symplhrwsh ths dhlwshs me ta stoixeia akinhtwn twn forologoymenwn E9.

Mporei mia symmoria na xorecei "apenanti" sto katesthmeno; Mporoyme na zhsoyme eleyqeroi se mia polh poy mas empodizei na kykloforhsoyme; Xoreyontai oi ceydaisqhseis; Oxtw xoreytes kai treis moysikoi dinoyn thn apanthsh epi skhnhs.

``Prospaqoyme na doyme an mesa apo thn apokalych ths alhqeias mporoyme na kanoyme mia pio oysiastikh anaskophsh ws pros to ti einai ayto poy exoyme pragmatika anagkh gia na zhsoyme. An h katastash stres me thn opoia eixame maqei na zoyme ola ayta ta xronia exei oysiastika nohma. Efoson ayth h apokalych ths alhqeias mas ferei pio konta me ton apenanti ayto einai kerdos'', dhlwse sto AMPE h xorografos ths parastashs Patritsia Apergh.

``Empneysthkame apo thn idia thn polh. H Aqhna einai ena paradeigma, alla anaferomaste se opoiadhpote sygxronh megaloypolh toy kosmoy'', symplhrwse h xorografos.

Gia thn omada Aerites h texnh toy dromoy den apotelei shmera enallaktikh kallitexnikh apoch, alla politikh parembash, koinwnikh epilogh, sxediasma gia mia diaforetikh sygkatoikhsh.

``Gia th xorografia ths parastashs kaname mia ereyna poy aforoyse stis draseis kai tis antidraseis poy prokyptoyn apo thn idia thn polh. Kyriws apo katwtera koinwnika strwmata prokeimenoy na apokthsoyn kapoia taytothta h fwnh. Gia paradeigma to parkoyr gia kapoioys einai enas tropos metakinhshs sthn polh. Cajame kai ereynhsame thn kapoeira poy exei jekinhsei apo tis fabeles ths Brazilias. Epeita to breakdance kai to streetdance kai katalhjame ston Afrikaniko xoro'', ejhgei h P. Apergh.

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